Day 1 We set off for Dover and entered a torrent of rain, which followed us all the way. There is nothing closer to my heart than the companionable British weather! We passed many a weird road sign, but one truly stood out. It was one of those temporary yellow signs warning of calamities such […]
Life Without Me is a prequel to Paula Goes to Heaven. It introduces Paula in all her earthly prima donna glory.
Life Without Me is currently on special at £0.99/ $1.25 kindle and £7.99 paperback on Amazon https://www.amazon.co.uk/Life-Without-Me-Anna-Legat-ebook/dp/B00TF70FWC/ref=sr_1_1?ie=UTF8&qid=1501150413&sr=8-1&keywords=anna+legat
Does this woman belong in Heaven? Don’t answer it – it’s a rhetorical question.
Do you remember Paula from Life Without Me? The washed-up actress with a chequered past and a ferocious sexual appetite? You may remember that she is dead. Your memory does not deceive you – she is. And she is on her way to Heaven. It’s a long and bumpy road, considering that her starting point is in Hell. Plus she has a lot of baggage: two men and a child.
So, this is my summer writing project: a story of Paula’s journey to Heaven. Will she ever get there or will her past catch up with her? Do you have the nerve to find out? Huh?
BTW: Life Without Me is now on special at £0.99 Kindle and down to £7.99/£6.60 for a paperback. A chance to discover Paula’s humble beginnings! https://www.amazon.co.uk/Life-Without-Me-Anna-Legat-ebook/dp/B00TF70FWC/ref=sr_1_1?ie=UTF8&qid=1500985915&sr=8-1&keywords=anna+legat
The premise of this story is simple but brilliant: Mrs Creasy has gone missing; Grace and Tilly, a pair of ten-year-old sleuths embark on a search, but instead of looking for Mrs Creasy they are searching for God. After all, He knows everything, including where Mrs Creasy is hiding. Once God if found so will be Mrs Creasy. I found great affinity with the girls – similar notions bumbled about in my head when I was their age.
Joanna Cannon puts the whole Avenue under a magnifying glass. The reader has insight into the lives and personalities of all residents. Secrets seep to the surface, skeletons fall out of the closet. The author handles difficult themes aptly and without sentimentality. Bigotry. Prejudice. Sense of community. Social ostracism.
I revelled in Cannon’s prose, which is refreshing, elegant and lyrical. She is the queen of anthropomorphism. An example: “Before she disappeared, he never said I love you. Unsure of themselves, the words had become trapped and awkward, and reluctant to leave. Instead of saying I love you, he said Take care of yourself, and When will you be back? Instead of saying I love you, he placed her umbrella at the bottom of the stairs, so it wouldn’t be forgotten, and in the winter he put her gloves on the chair by the door, so she would remember to pull them on to her hands before she left. Until she disappeared, this was the only way he knew how, but since she had gone, he found that the words had become untethered. They fell from his mouth in the silence, certain and unashamed. The rattled under the bridge at the canal and tripped across the towpath. They waltzed around the bandstand and chased along the pavements as he walked.”
This a charming, heart-warming story about our inherent obstinacy and our equally inherent goodness of the heart.
Reality bites – this sounds like a pun in very bad taste. You will see what I mean if you carry on reading. It is time for my second revelation relating to the storyline in Nothing to Lose: anorexia.
In Nothing to Lose Gillian watches her daughter Tara shed pounds like they’re going out of style. Being a detective, she snoops into Tara’s life (and bedroom) to discover a battery of slimming products. This confirms every mother’s worst fears – that her child is spiralling into an eating disorder and starving herself to death. It is a fearful prospect because it is more a disease of the mind than the body. You can’t cure an anorexic – not until they are ready to accept food and keep it in. And that moment may never come. Anorexia is a catch-twenty-two: the more you try to control it, the more it controls you. Any external intervention against your will meets with a wall of resistance. I know. I’ve been there.
Just like Tara, I was about eighteen, in my first year of university. I had just moved from the sleepy, tranquil world of my childhood in the country to a frenzied, crowded city. I didn’t know what hit me. Life overwhelmed me. It had spun out of my control. I was lost. I was surrounded by strangers; no space to hide, no holes to crawl into. The speed of my life was nauseating. I could not keep up with it. I could not control it. The only thing I could control was food. It wasn’t about dieting, not in the beginning. It was all about re-introducing order into my life. Only later did I start to count calories, and after that, when I stopped counting, I simply couldn’t bring myself to eat. The mere smell of cooking made me feel sick. I think that was where I crossed the line – the point of no return.
Just like Gillian, my mother was beside herself with worry. At first, she thought I was on drugs, but she quickly realised it was all about food. She would find sandwiches buried in the drawers of my desk, steaks languishing on the compost heap, attracting vermin. Once I even managed to pour soup out of my bedroom window right onto my father’s head. My father was in the garden, pruning roses. The soup was bean soup. My mum went into a spasm of hysteria. But even that had no effect on me.
Only when I saw a photo of myself in a bikini did I finally realise I was a walking skeleton. With clothes on, my sharp edges and protruding ribs were well camouflaged.
But without my clothes… look at this at your own risk.
I was horrified! I started eating: tentatively and with frequent relapses into 6 ½ stone. You’re never quite out of the danger zone. You’re never quite fully recovered. Any emotional trauma, any change of circumstances, any heightened anxiety and you’re back to square one.
In Nothing to Lose, Tara suffers a similar fate after she is rejected by that good for nothing Charlie Outhwaite.
Nothing to Lose is the second book in the DI Marsh crime series, available now on Amazon and from major bookstores. The book is available at a promotional price of £5.59 at WHSmith
Only 20 days until ‘Nothing to Lose’ is released. It is the second book in the DI Gillian Marsh mysteries. I have two signed copies of the first volume, Swimming with Sharks, for those who would like to catch up with the series. To be in to win, please like my FB Author Page
My teapot and I have suffered minor contusions of late: I’ve been constantly knocked down by bouts of colds and flu, and my teapot’s lid was dropped (by me) and a chunk of it chipped off.
My mother always told me that there was nothing a plaster could not cure, so I plugged the crack in my teapot with a strip of waterproof plaster, and voila it is as good new! See?
Unfortunately, no amount of plasters could stem my runny nose… Perhaps a bandage? Has anyone tried that remedy?
I put on the skates, and I am a little girl again: eight or ten at the most. The blades of my skates slice through the ice. I can hear a clank and a swoosh, the wind in my pompom, cheeks burning, cold air in my nostrils, expelled in rapid vapours, forming frosty droplets on my scarf. I’ve lost my gloves – again. My fingers are red numb claws. I perform a pirouette, the spikes of one of my skates are the pivot and I draw a circle with the other foot. The air can’t keep up with me. I halt, let it catch up, and proceed backwards, knees bent slightly, bum defying gravity as I draw curvy patters on the ice. Another twirl, and I launch forward. I used to be able to do this – I lift one leg, an arabesque begins to form, a bit floppy, like a penknife that I can’t quite fully open. But I gather speed – I’m a bird swooping down-
-and down I go.
The spikes on my blade catch on something; I am catapulted – briefly, given just enough time to realise that I’m going face down, crash landing into the unforgiving ice. Just enough time to twist in the air to save my face. Hip first. Knee caught halfway through a protective kick. And then the ribcage slams down.
Someone asks me if I’m all right. I nod, but I’m lying. Too embarrassed to admit that my vision is blurred and the blood has drained from my brain, leaving me lightheaded and faint. Daughter drags me to a bench. ‘You told me to fall on my bum. Why didn’t you?’
Where was my big, cushioned bum when I needed it…
Today, the day after, I am no longer a little girl of eight or ten at the most. That girl would be back on ice despite those minor bruises. She wouldn’t even remember that fall. She has run away and I am left on my own: an old woman and her swollen knee, her cracked ribcage that hurts with every intake of breath, and a huge purple bruise on her hip. I can’t recall where and when the hip came into it.
Husband offers an anti-inflammatory painkiller and I say no. I refuse to grow old gracefully. Whenever would I take a painkiller after scathing a knee when I was eight! I am not going to start now. I suffer my debilitating aches and pains in dignified reticence.
I will be back to the ice rink next week. Wearing knee pads.
On Saturday night, I feasted on music, gorging on the angelic singing of Malmesbury Community Choir, and delighting in the heavenly voices of the Westonbirt Girls’ School Chamber Choir. It was quite a treat and it conjured up Christmas on a count of four!
I tried to join in with some of the singing, alas my sheepish bleating failed to rise to the occasion. God and all His Saints must have been cringing up in Heaven at my tragic rendition of O Come All ye Faithful.
The beautiful Malmesbury Abbey was packed and bursting at the seams, so we had to find a place to sit beside King Athelstan’s tomb, on – as it happened – a very cushy little sofa, left there for the sole purpose of accommodating late arrivals from the far end of the county. We also had an unorthodox view of the goings-on. We were looking at the conductors, observed their animated faces and even more animated bodies.
Watching a conductor in action is something else! The male conductor’s hands were in constant motion as if he was kneading dough: squeezing and stretching it, massaging it with his fingers, pulling, flicking and leaving it to rise. The lady conductor was like a weaver: picking thin strands of wool and dragging them through the air, then feeding them into the body of the melodic fabric, extracting loose ends on the other side, tying them into small knots and snipping the frayed bits at the end. It was all like some mysterious sign language that only the singers could understand, and respond to with their song.
And then at the end, the conductor put his finger to his lips. Motionless silence.
I sang carols all the way home, just like the fifth little Piggie, to my poor husband’s utter dismay. All stars ran away from the firmament, leaving only one crestfallen Moon and one disoriented Star.
I am not a natural early riser. My alarm clock and I aren’t the best of friends; more like cats and dogs. Every morning the bloody thing growls at me, digs its teeth into the delicate fabric of my dreams and shakes me awake, my dreams shattered in an instant. I fight back, best as I can. I kick and scratch, I hiss, but I stand no chance. In the end the damned yapping ankle-biter wins. I hate the bastard.
But there is a light at the end of the tunnel. There are my Fridays: late-rising days. The yapping ankle-biter is where it belongs – in a dog-house. I sleep. Dreams seep into my slowly unfolding reality. Ideas form in my well-rested brain, come and go, sometimes vanishing without a trace, leaving only a hint of themselves, a niggling something that follows me around like a scent of something I once knew, a long time ago, in my childhood. Books and stories write themselves before my closed eyes, and they are out of this world – unique, one-and-only, unimaginable. If only I could remember them…
I love my late-rising days. Idleness breeds creativity. A well-rested brain busies itself with its own occupations, because let’s face, one is never quite perfectly idle. There is always some activity. Only when we go about our daily routines, imposed on us by the circumstances of our everyday obligations, we lose that subtler, more refine side of us, that side that is so ethereal and so elusive that it evaporates on contact with the hard-biting reality (in my case, my hard-biting alarm clock), like camphor. I so love capturing it on those blessed Friday mornings. It feels like stealing, like catching beautiful butterflies in a net. It is bad and frowned up by our labour-intensive reality, but God, it feels amazing!
I can understand now why great writers need to take the risk of abandoning their day-jobs to be able to write. Writing is a take-it-all occupation, which requires late rising and altogether a form of firm detachment from time and place. It is a risky affair, an affair with impropriety, a costly affair at that! But that is the choice one has to made: forsake one’s financial security to capture those elusive snippets of dreams and stitch them into a grand new story. I bet Jane Austin never had to use an alarm clock. I don’t believe Stephen King does, either.